A sunny jazz, gentle and intimate, with compositions of a happy melancholy that we could call saudade, given how rhythms and harmonies naturally recall that 'Mediterranean' South America so inherent in the author's musical sensitivity. This lightness of images runs through the entire sonic tale whose narrative voice is entrusted to instrumentalists who know how to interpret the existential motives of Lillo's original staves, motifs that are soft and sinuous, iridescent and blue, volatile and luminous, dense with humanity and, should the need arise, technically attentive. Motifs and motivations that touch the warmest chords of a musician who sees a sky where there never seems to be any darkness but only an essential joy of being there, of dialoguing with the affections, of imagining a world in which it is the good smile that wins out over everything. On the clarinet the talented Gabriele Mirabassi, and with Javier Girotto on soprano sax.
