The Belouga Quartet is made up of a new generation of players. Each one represents a different school, according to his geographical origins: from the Rh?ne valley to the Nice area, via Aix and Toulon. Driven by the wish to refresh the repertoire of its instrument, the Belouga Quartet asked for help from four composers to compose a farandole or a polka, to allow asymmetrical time signatures, or to encapsulate and reproduce recent playing styles. The goal was not to deconstruct, but rather to harvest the present of a centuries-old instrument in its many variants; to remain faithful to the cultural markers of the discipline while revealing its diversity and its evolution.
Tracks:
1. Belouga 46 5-1 3:48
2. Belouga 46 5-2 4:23
3. Belouga 46 5-3 2:21
4. Belouga 46 5-4 1:16
5. L'Aiga Nafa 5:42
6. La Passada Escura 3:41
7. L'Estamp?u 5:02
8. Dei Vincet Codex: Valse 2:19
9. Dei Vincet Codex: Tambourin-Polka 3:22
10. Dei Vincet Codex: Rasima 4:20
11. Dei Vincet Codex: Brande De Sourtido 2:21
12. Abuda Descostumada: Polca 2:25
13. Auba Descostumada: Cad?ncia (Bm-Mm) 5:43
14. Auba Descostumada: Movement Lent 4:29
15. Auba Descostumada: Asimetric 2:23
16. Auba Descostumada: Farandola 3:03
